istillshootfilm:

THE AFGHAN BOX CAMERA:

I recently stumbled upon this amazing video from a very cool organization called the Afghan Box Camera Project. The aim of the project is to document the now-dying art of street photography in Afghanistan. When I say, “street photography” I do not mean portraits and street scenes. I mean professional photographers who actually shoot identity photos for clients on the street. The video covers one of the last two remaining professional street photographers in Kabul, and shows how he uses an Afghan Box Camera to essentially develop and print negatives on the go.

Here’s an excerpt from the Afghan Box Camera Project’s website:

The Afghan Box Camera is a simple box-shaped wooden camera traditionally used by photographers working from a street pitch, who produce, by-and-large, instant identity portraits (akhs: عکس) for their clients. In Dari the camera is known as kamra-e-faoree, which means ‘instant camera’. It’s also less frequently called kamra-e-faoree-e-chobi (instant wooden camera) or kamra-e-chobi (wooden camera).

To translate: it’s a miniature portable darkroom - and it’s totally awesome. When I watched this video, the first thing it made me think of was the fact that 15 years ago, when every single photographer I knew shot film, they all dreamed (myself included) of having their own darkroom. However, many (again myself included) also had the conversation that they needed the space, the ventilation, the equipment and a whole bunch of other crap. Apparently, that was all a load of lazy-ass excuses considering this guy just busted out a darkroom in a small box and keeps his chemicals in water bottles. Just goes to show that if you’re creative and motivated enough you can come up with a solution for just about anything.

Here’s another video from the Afghan Box Camera Project explaining the box camera parts and how it works:

{Afghan Box Camera Parts from Afghan Box Camera on Vimeo}

So simple, but then again so complex. I think I’m in love. I almost want to make one… and for those of you who feel like I do, you’ll be happy to know that the ABCP provides some nifty tutorials on how to do so.

And for a final dose of nostalgia, I had to include this video showing a the very last man in Kabul who hand colors black and white photographs:

{How to hand color a black and white photograph from Afghan Box Camera on Vimeo}

Head on over to the Afghan Box Camera Project website for more info, videos, sample photos and tutorials.

Reblogged from istillshootfilm

Today we have been experimenting with our new darkroom and iPads in response to these images by the Italian Futurists. We are interested in seeing how black and white negatives double exposed in the darkroom and the photography apps available for the iPad can be used to explore ideas related to the Fusturists’ concept of photodynamism.

Check out the next post for some examples of what Year 12 produced.

Reminder (x2)

Two reminders to all Photography students:

  1. You will be expected to make a 5 minute presentation about the progress you have made in all of the Assessment Objectives of the examination unit during your next lesson. You can remind yourself of the AOs by referring to a previous post. The exam is worth 50% of your marks and you have exactly 6 weeks left (only 4 school weeks). I am concerned that some of you are making insufficient progress and risk doing less well in the exam than you are able. Your presentation can be in any format - an illustrated talk, a slideshow, a film, a podcast etc. We will grade your performance and you will receive detailed feedback about your work from the class. The presentation will count towards your final grade.
  2. We would like you to submit a post to this site summarising the approach you are taking, your chosen theme, how you intend to solve the problems you have set yourself, which artists you have researched so far, what images you have made, which techniques and processes you are exploring etc. This should help you generate a clear focus for your enquiry and prevent you from wasting precious time.

A final plea. The darkroom was left in a terrible state this week by whoever used it. We are not willing to tolerate this kind of selfish attitude. If you use the darkroom, tidy up after yourselves, respect the equipment and resources and help us and your fellow students make the best use of a limited resource.

Laszlo Moholy-Nagy, apart from having one of the most unpronounceable names in the history of photography, was a pioneer of light and lens based media and a host of other new ways of seeing. It’s hard to sum up such a diverse and inspiring career but there are lots of resources online to help you. I am really interested in his approach to abstraction and, in particular, his experiments with camera-less photographs called Photograms.

Here’s a link to an excellent gallery where you can see more images like the ones above.